Welcome!

Benvenuti in queste pagine dedicate ad arte e letteratura. Amelia Carolina Sparavigna

Friday, 14 October 2011

Mela, Pomponius

"Pomponius Mela, who wrote around AD 43, was the earliest Roman geographer. He was born in Tingentera (Algeciras) and died c 45 CE. His short work (De situ orbis libri III.) occupies less than one hundred pages of ordinary print. It is laconic in style and deficient in method, but of pure Latinity, and occasionally relieved by pleasing word-pictures. Excepting the geographical parts of Pliny's Historia naturalis (where Mela is cited as an important authority) the De situ orbis is the only formal treatise on the subject in Classical Latin."
http://en.wikipedia.org/wiki/Pomponius_Mela
Munich Digitization Center
Digitised works/ Author: Mela, Pomponius
http://www.digital-collections.de/index.html?c=autoren_index&l=en&ab=Mela%2C+Pomponius

Monday, 4 July 2011

Moon over Japan

Moon over Japan.
White butterfly moon!
The waters wash against the sacred islands
Where steps lead down to the sea,
Where neither death nor birth is permitted,
Where the heavy-lidded Buddhas dream
To the sound of the cuckoo's call,
The whitened mists lie adrift among the
pines
And steal the color from the bright-leaved maples
On the mountains where the deer pasture and the monkeys sleep among the branches.
The white wings of moon-butterflies
Flicker down the streets of the city.
Brushing into darkness the useless wicks of round lanterns in the hands of girls.


This is the initial part of “Sky Lotus,” by Elizabeth J. Coatsworth, published in the July 1919 issue of Asia, “The American Magazine on the Orient,” published by the American Asiatic Association.
http://www.blackcatpoems.com/c/sky_lotus.html

Hokusai manga - fox



Hokusai manga
Museo Arte Orientale, Torino

Four actors



A group of four actors
Tang Dinasty, first half of the 8th century AD
Museo Arte Orientale, Torino

Padmapani


Padmapani
Gandhara, II-III secolo d.C.

Il Bodhisattva Padmapani siede su un alto trono con il piede sinistro posato a terra e la gamba destra piegata a appoggiata sul ginocchio opposto. L’alto seggio su cui Padmapani è seduto ha una spessa base su cui si appoggiano i sandali (infradito!). Il Bodhisattva indossa paridhana e uttariya. Porta un turbante a fascia, grandi orecchini a testa di leone, collane e un cordone con piccoli involucri porta-preghiere, portato di traverso dalla spalla sinistra al fianco destro. Padmapani tiene nella mano sinistra un grosso bocciolo di fiore di loto, mentre l’altra, mancante, era rivolta verso la testa.

Museo Arte Orientale, Torino

Il funzionario militare


Funzionario militare
Dinastia Tang, VIII secolo D.C.
Terracotta rossa, ingobbio bianco, pigmenti e oro
Military official
Tang Dinasty 8th centry A.D.
Red earthenware with white engobe, pigments and gold



Museo Arte Orientale, Torino

Poems








Stampe xilografiche, Giappone, Periodo Edo
Museo Arte Orientale, Torino

Sugawara no Michizane


Sugawara no Michizane che cavalca un bufalo.
Utagawa Sadakage (attivo dal 1818-1844)
Sugawara no Michizane (845-903) venne divinizzato
come dio protettore delle lettere e della calligrafia.
Viene rappresentato spesso sotto fiori di susino a
cavallo di un bufalo, che lo accompagna durante
l'esilio dalla capitale.
Museo Arte Orientale

Hokusai manga - supernatural

The Hokusai Manga (北斎漫画) is a collection of sketches of various subjects by the Japanese artist Hokusai. Subjects of the sketches include landscapes, flora and fauna, everyday life and the supernatural... The Manga comprise literally thousands of images in 15 volumes, the first published in 1814, when the artist was 55. The final three volumes were published posthumously, two of them assembled by their publisher from previously unpublished material. 
more Wiki



Museo Arte Orientale

Kongo Rokishi come Ercole

"Kongōrikishi are an interesting case of the possible transmission of the image of the Greek hero Heracles to East Asia along the Silk Road. Heracles was used in Greco-Buddhist art to represent Vajrapani, the protector of the Buddha, and his representation was then used in China and Japan to depict the protector gods of Buddhist temples. This transmission is part of the wider Greco-Buddhist syncretic phenomenon, where Buddhism interacted with the Hellenistic culture of Central Asia from the 4th century BC to the 4th century AD.*"
According to Wiki http://en.wikipedia.org/wiki/Shukongoshin
* "The origin of the image of Vajrapani should be explained. This deity is the protector and guide of the Buddha Sakyamuni. His image was modeled after that of Hercules. (...) The Gandharan Vajrapani was transformed in Central Asia and China and afterwards transmitted to Japan, where it exerted stylistic influences on the wrestler-like statues of the Guardian Deities (Nio)." (Katsumi Tanabe, "Alexander the Great, East-West cultural contacts from Greece to Japan", p23)

Hokusai manga - cat


Un gatto di Hokusai
Museo Arte Orientale - Torino

Kongo Rikishi




Kongo Rikishi stante su base rocciosa
legno di cipresso giapponese dipinto, altezza cm 230,5
Giappone, periodo Kamakura, seconda metà XIII secolo

Imponente statua realizzata con pezzi assemblati (yosegi-zukuri). Rappresenta uno dei due guardiani del tempio e della dottrina buddhista posti in coppia ai lati della porta dei monasteri. Ha la bocca chiusa e contratta per esprimere l’esplosivo hum, il terribile mantra delle divinità furiose.


Museo Arte Orientale, Torino

Monday, 11 April 2011

Il Buddha dei Leoni


Il Buddha siede su un trono sorretto da tre leoni, che poggia a sua volta su un piedistallo fiancheggiato da due  devoti monaci. La veste monastica dalle pieghe accuratamente disegnate e priva di cintura rivela il corpo ben modellato. Il lembo dello scialle scende dalla spalla sinistra terminando in un doppia “coda di pesce”.
Il leone in questa iconografia evoca  il suo ruggito (simhanada) ossia la voce del Buddha che penetra lo spazio divulgando la Dottrina.
Museo Arte Orientale, Torino

Centenario - Emilio Salgari

Quest'anno è il centenario della morte di Emilio Salgari.
Chi non ha letto un libro o visto un film  il cui protagonista è Sandokan, la Tigre della Malesia?
Read more http://en.wikipedia.org/wiki/Sandokan

The Eye of Osiris

"The Eye of Osiris" is a novel written by Richard Austin Freeman (1862 - 1943). He was a British writer of detective stories, mostly featuring the medico-legal forensic investigator Dr Thorndyke. A large proportion of the Dr Thorndyke stories involve genuine points of scientific knowledge, from areas such as tropical medicine, metallurgy and toxicology. In this crime novel, Dr Thorndyke solved the mistery using a X-ray photography of a mummy.
"It was all clear enough so far. The peculiar sound that filled the air was the hum of the interrupter; the bulb was, of course, a Crookes' tube, and the red spot inside it, the glowing red-hot disc of the anti-cathode. Clearly an X-ray photograph was being made; but of what? I strained my eyes, peering into the gloom at the foot of the gallows, but though I could make out an elongated object lying on the floor directly under the bulb, I could not resolve the dimly seen shape into anything recognisable. Presently, however, Dr. Norbury supplied the clue. 'I am rather surprised,' said he, 'that you chose so composite an object as a mummy to begin on. I should have thought that a simpler object, such as a coffin or a wooden figure, would have been more instructive.' "
http://gutenberg.net.au/ebooks06/0605551h.html
The novel is named from an Egyptian symbol, the Eye of Horus.
The Eye of Horus is an ancient Egyptian symbol of protection, royal power and good health. The eye is personified in the goddess Wadjet. The name Wadjet is derived from 'wadj' meaning 'green' hence 'the green one' and was known to the Greeks and Romans as 'uraeus' from the Egyptian 'iaret' meaning 'risen one' from the image of a cobra rising up in protection. More at Wiki
Wadjet was one of the earliest of Egyptian deities who later became associated with other goddesses such as Bast, Mut, and Hathor, who is also depicted with this eye. Burial amulets were often made in the shape of the Eye of Horus, to protect the owner in the afterlife and to ward off evil. Ancient Egyptian and Near Eastern sailors would frequently paint the symbol on the bow of their vessel to ensure safe sea travel (Charles Freeman, The Legacy of Ancient Egypt, Facts on File, Inc. 1997. p.91).
"Horus was the ancient Egyptian sky god who was usually depicted as a falcon. His right eye was associated with the sun Ra. The eye symbol represents the marking around a Peregrine Falcon's eye that includes the "teardrop" marking sometimes found below the eye."
It is interesting to note that, in the ancient egyptian calculus, the Eye Of Horus defined number one (1) = 1/2 + 1/4 + 1/8 + 1/16 + 1/32 + 1/64, by throwing away 1/64. The parts of the Eye were used to represent fractions.


Amulets on display at the Egyptian Museum, Torino